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Yes

 

After struggling with it all week, this is the effort I expected of myself.

I've got the middle left to do, but I'm in need of a break. I'll go play Halo for a half-hour and then come back to it.

I learned a lot on this one, but what satisfies me right now is limiting my palette. I learned in my color blend from last year that by mixing a limited number of colors together, they remain harmonious, and I think the biggest key to successfully painting a flower is harmony, which is what makes a flower so satisfying in the first place.

And I've learned that purple and yellow make a nice, dull green. No need for a green tube of paint.

Other than the middle, I've got some edges to finesse, but I like this one.

 

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Read the whole story of "Rose"
by Brett Rogers, 2/17/2006 2:27:37 PM
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Direction

 

This is starting to move in the direction I want it to move, particularly the left, front petal that is purple-red-yellow.

A few things made the difference.

  • A solid line sketch in pencil of the flower.
  • Reducing my palette to only four colors: cadmium red medium, cadmium yellow medium, dioxazine purple, and titanium white.
  • Listening to New Order.
I'm cool with this one. I'll rework the areas I don't like and finish this tomorrow.

 

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Read the whole story of "Rose"
by Brett Rogers, 2/17/2006 1:10:17 AM
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Standards

 

When my kids were young, I bought Bill Bennett's Book of Virtues. The first poem in it became the Rogers family poem:

'Tis a lesson you should heed
Try, try again;
If at first you don't succeed,
Try, try again;
Then your courage should appear,
For, if you will persevere,
You will conquer, never fear;
Try, try again.
And so I'm reminded of that while I try to paint a close-up of a rose.

This attempt is better than my last attempt, but painting a flower is quite hard. I wish that I had Kris' gift for it.

Part of my ineptitude has an excuse in paint that dries too quickly. I'm getting better at blending acrylics (which I've compared before to painting with white-out), but it's the very close blends of soft edges that lose me. I think the solution is to go at it with high humidity (to keep the paint wet longer), smaller brushes and strokes in these areas, and to obtain a feel for the petals. Normally, I only worry about capturing the smear of color and I forget what I'm painting. But in the case of flowers, I think that's wrong. It's very important to remember the edges and the curve of each petal. It has to make sense, each line does. Kind of like running my finger over the rim of each fold and knowing it that way.

This was closer, but I want more yet of myself, and so I'll start over one more time. I'm still relatively new to painting, so I consider this education - and it's education not to be wasted by hurrying and trying to meet arbitrary deadlines and goals of volume. I want the most of myself. As my former and very misogynist manager Frank used to tell me: "Standards, bro. Standards."

 

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Read the whole story of "Rose"
by Brett Rogers, 2/15/2006 12:59:49 AM
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Market

 

I come into Wells this morning, and I'm greeted by this message on our Intranet:

An estimated 190 million people all around the world will send greeting cards today to celebrate Valentine’s Day.
My friend, Shantyl, has challenged me to paint four cards this week. Heck of a challenge... am I up to it?

On deck: the one I'm currently doing, then a mom lying next to her baby, and then a child at a table near a window. And then maybe the church-in-the-middle-of-nowhere painting, at my friend Kay's suggestion. That would be four. --gulp--

I'm taking this Friday off, so that should help. Wouldn't it be something if I did five?

 

2 Comments
by Brett Rogers, 2/14/2006 10:27:47 AM
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Composition, Part II

 

This is better than last night's effort.

Thanks for sticking up for my work, Bella, but if it ain't pleasing me, I lose steam.

 

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Read the whole story of "Rose"
by Brett Rogers, 2/13/2006 9:22:14 PM
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Composition

 

I got started with this one and decided that its composition lacked anything interesting.

So, I start over.

 

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Read the whole story of "Rose"
by Brett Rogers, 2/13/2006 12:44:05 AM
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Achievement

 

If you've read much of my words, you'll recognize some of what will follow, although it will be in the voice of Ayn Rand. I've finished my read of The Fountainhead, which is probably the most important fiction book I have ever read. Perhaps this is true because of the non-fiction truth set behind its story. At the end of the book, the chief character, Howard Roark, lets loose and what he says is worth repeating here:

Men have been taught that the highest virtue is not to achieve, but to give. Yet one cannot give what has not been created. Creation comes before distribution - or there will be nothing to distribute. The need of the creator comes before the need of any possible beneficiary. Yet we are taught to admire the second-hander who dispenses gifts he has not produced above the man who made the gifts possible. We praise an act of charity. We shrug at an act of achievement.

Men have been taught that their first concern is to relieve the suffering of others. But suffering is a diease. Should one come upon it, one tries to give relief and assistance. To make that the highest test of virtue is to make suffering the most important part of life. Then man must wish to see others suffer - in order that he may be virtuous. Such is the nature of altruism. The creator is not concerned with disease, but with life. Yet the work of the creator has eliminated one form of disease after another, in man's body and spirit, and brought more relief from suffering than any altruist could ever conceieve.

Men have been taught that it is a virtue to agree with others. But the creator is the man who disagrees. Men have been taught that it is a virtue to swim with the current. But the creator who goes against the current. Men have been taught that it is a virtue to stand together. But the creator is the man who stands alone.

Men have been taught the the ego is the synonym of evil, and sleflessness the ideal of virtue. But the creator is the egotist in the absolute sense, and the selfless man is the one who does not think, feel, judge, or act. These are functions of the self.

Here the basic reversal is most deadly. The issue has been perverted and man has been left no alternative - and no freedom. As poles of good and evil, he was offered two concetpions: egotism and altruism. EWgotism was held to mean the sacrifice of others to self. Altruism - the sacrifice of self to others. This tied men irrevocably to other men and left him nothing but a choice of pain: his own pain borne tfor the sake of others or pain inflicted upon others for the sake of self. When it was added that one must find joy in self-immolation, the trap was closed. Man was forced to accept masochism as his ideal - under the threat that sadism was his only alternative. This was the greatest fraud ever perpetuated on mankind.

This was the device by which dependence and suffering were perpetuated as fundamentals of life.

The choice is not self-sacrifice or domination. The choice is independence or dependence. This is the basic issue.

Rand's character then explains that those who are independent can survive, and those who are dependent are incapable of surviving. Therefore, anything that leads a man toward dependence is ultimately self-destructive, and therefore evil.

She's right.

Think of nature. In nature, animals do not act parasitically with others in their species. The food chain is not cannibalistic. In nature, if a creature is unable to fend for itself, it dies off. Independence is expected and life sustaining. Dependence is self-destructive.

Roark finishes with this:

I recognize no obligations toward men except one: to respect their freedom and to take no part in a slave society.
I came away from this book affirming some of my tendencies and feeling recriminations of other tendencies. Where I land, after considering the weight of the book, is that in that area of my talent where I find my own voice and I feel no need for the opinions of others, that's where my contribution is best applied. For me, I'm gaining my voice in my art. I know more instinctively what I need to paint in expression and how I want it done.

Others have other abilities. In those talents, they don't ask others how to do what they do. They simply know how to do it and they are confident in that skill. This should be the goal of every person: to realize that unique skill that they have and ply themselves to it passionately. The rest of us should encourage that - but here's the thing: if it's truly that thing wherein we find our voice, we will do it anyway. Encouragement be damned! It's simply not necessary because we have no choice in the matter. It is the expression of our soul.

I wrote recently of Four Adjectives, the idea that we might want to winnow down to a simple descriptive list those things that we need in a mate. I think it goes without saying that all of us need in a mate someone who will not trounce our voice, but is rather someone who can sit back and delight in watching our expression. And vice versa. It's not necessary that they aid us, but rather that they want us to be free to voice our creativity and passion. Therein lies the notion of "fit," that chemistry we seek where the blend is better than the singular because the individual voice can be made stronger. Not a muffler. Not a chorus. But a megaphone. (This might seem off-topic, but this is where "rejection" is not an offense, but a relief for the truth it speaks.)

Howard Roark again:

It's so easy to run to others. It's so hard to stand on one's own record. You can fake virtue for an audience. You can't fake it in your own eyes. Your ego is the strictest judge. They run from it. They spend their lives running. It's easier to donate a few thousand to charity and think oneself noble than to base self-respect on personal standards of personal achievement. It's simple to seek substitutes for competence - such easy substitutes: love, charm, kindness, charity. But there is no substitute for competence.

That, precisely, is the deadliness of second-handers. They have no concern for facts, ideas, work. They're concerned only with people. They don't ask: 'Is this true?' They ask: 'Is this what others think is true?' Not to judge, but to repeat. Not to do, but to give the impression of doing. Not creation, but show. Not ability, but friendship. Not merit, but pull. What would happen to the world without those who do, think, work, produce? Those are the egotists. You don't think through another's brain and you don't work through another's hands. When you suspend your faculty of independent judgment, you suspend consciousness. That's the emptiness I couldn't understand in people. That's what stopped me whenever I faced a committee.They've been taught to seek themselves in others. To seek joy in meeting halls. I think the only cardinal evil on earth is that of placing your prime concern with other men.

Self-sufficiency matters. It leads to achievement. It's sustainable and life-giving.

 

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by Brett Rogers, 2/12/2006 9:23:30 PM
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Sketch

 

My son, Nick, came to me tonight and asked if I could teach him how to paint.

Cool!

We worked on mixing colors first. I showed him how mixing complimentary colors dulls a color for shadowing. For example, if you have orange, and you want its shadow color, add blue to orange. It dulls and browns the orange. Or if your sky is not a pure blue, but a darker, duller blue, add orange to it.

So he started on this:

I love his shadow in the entryway of the building. He's not done, but he's off to such a great start. Nicely done.

I saw this as an opportunity to just goof around, so I grabbed a picture from a book and doodled it, which was fun.

Earlier today, the younger boys played outside in the snow with their friend next door. Gotta get that last bit of sledding in...

And my son, Aaron, worked on his mini-movie today and showed it to Nick and me. Over 5 minutes long and starting to get into the action scenes. What's cool about it is his resourcefulness. The storyline is that these people get together and fly to an island. He uses legos, sheets, my large plant in the living room, and lots of camera movement to convey plane flight. It's exciting to see him vision it out and then put it together.

It's been a great kid-filled day. I'm a lucky man...

 

1 Comment
by Brett Rogers, 2/12/2006 12:40:19 AM
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How To Mail

 

When people eventually buy cards from my online store, how do I ship it to them in a way that assures me that I don't have to take back damaged merchandise?

Why, the Jiffy Rigi Bag Mailer, of course. I got my order a yesterday and 250 of these mailers weigh a ton, lemme tell ya. The mailers are seriously rigid - almost impossible to bend. The cards will arrive safely!

Speaking of cards, I'm now on row two!

Goal: Fill this second row by the end of next week. That would be eight cards.

 

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Read the whole story of "Workin' on the Dream"
by Brett Rogers, 2/10/2006 7:41:22 PM
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Woman At Window (Done)

 

I was a bit nervous about finishing this card, but it turned out fine.

On to the next one...

 

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Read the whole story of "Woman At Window"
by Brett Rogers, 2/10/2006 4:14:31 PM
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