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Since great writers communicate a vision of existence, one can't usually borrow their methods. The method is married to the vision.
-- Norman Mailer



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She Sheila

 

While trying to find out how to download this song today, I ran across the video. We used to do this in the band when I was, oh, much younger.

Love this song!

 

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by Brett Rogers, 4/28/2007 10:54:11 AM
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Collaboration

 

I'm doing something I haven't done before, which is to collaborate on a painting with someone. In this case, I do this with my wife.

This is the largest painting I've ever done (11 x 14), and this is just a section of it. I love the early stages of a painting when it's rough and doesn't look like much. It hints at the direction it's going. The subject emerges with each stroke.

It's also interesting to collaborate. When I met Tamara, she swore that she had no artistic ability. I took the time to show her how to see the subject, how to mix paint. Later, she painted a series of rather large oak leaves for place settings at my birthday and she did a beautiful job. In fact, everyone at the table thought hers was better than the example I gave her.

And so we paint. It's not something we can do concurrently. I go, then she goes, then I go.

As for me, I've finally found a spot in the house in which I'm comfortable painting. I've had to change some of my methods to make it work. I've purchased some large canvases on which to paint. My next painting will be 24" x 48". That's quite a jump in size for me.

I'll post the final result of our teamwork in the next week.

 

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Read the whole story of "Iris"
by Brett Rogers, 4/28/2007 10:22:45 AM
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The Evolution of Man's Heart and His Soul

 

I recently mentioned a center two-page graphic in an outstanding book, Orbiting the Giant Hairball.

I think we have three choices in life. We can either try to stifle, control, augment, change, tweak the voice of another person. Or we can ignore that voice.

Or we can find the biggest damn megaphone that we can and stand on a box and raise it up before them and encourage that person to shout to the heavens.

Here's the graphic. I've typed out the words in it...

In the very beginning, if you think way back...

He was always amazed and had time just to gaze
His arms were like wings and he moved like the wind
The door to his heart was flung open wide - you could see straight inside
His soul shone like gold and could never be sold
Even his toes rarely touched the ground...

Now he moved his gaze down... his arms tumbled down
He spent much of his day to make sure that his heart didn't fly off off and play
The door was ajar, but not very far
His soul winced and shrunk
And every so often a tear would go plop

He emptied his thoughts

He hid his feet in some shoes

Sometimes his heart would cry out quite loud

[silence]

There once was a day
Then came the day someone casually said...
Your feet should be planted on the ground
So he did, as you can see
Then one day someone laughed at him as he sung to the trees
And so he promised himself never again would he sing to the trees (or the leaves)
But still they laughed on
At most everything he did
So he thought to himself I must be more like them
So he watched and he thought what to think what to not
Walk like I walk
Talk like I talk
Don't piddle
Work hard
Don't be late
Don't sigh
Don't cry
Look 'em smack in the eye
Stand up straight
Don't do this
Don't do that

[the end]

I ask: How do you encourage those around you to find their voice and to dare speak it with gusto?

 

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by Brett Rogers, 4/26/2007 4:30:04 PM
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Misnomer

 

It's not a Stop sign. More accurately...

Sometimes, we just need to see things for what they really are.

Don't let anyone stop you. Authority is just titles.

 

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by Brett Rogers, 4/26/2007 2:56:26 PM
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Words

 

Joi Ito writes a rather stirring post about the power of our words. Our words set an environment for ourselves and for others around us. Here's part of a quote from a book he's reading:

I am committed to cultivating loving speech and deep listening in order to bring joy and happiness to others and relieve others of their suffering. Knowing that words can create happiness or suffering, I am determined to speak truthfully, with words that inspire self-confidence, joy, and hope.
Hmm... that's a pretty good and high standard.

I can't say that about myself. I'd like to.

What about you?

 

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by Brett Rogers, 4/26/2007 11:22:45 AM
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When Bad Movies Are Great

 

Tamara and I watched the most unnecessarily long and boring movie that I've. Ever. Seen.

Ever.

It's Robert DeNiro's directorial debut, The Good Shepherd. Don't see it.

But if you really want to go see it, don't read the rest of this. Spoiler alert - you have been warned.

The story line could have been interesting... it's about the slow-grinding of a man's soul, the penalties of bad choices and what could have been, and loyalty. Trim 90 to 120 minutes from this plodfest and it might have been interesting - and you'd still have about 90 minutes of movie leftover.

Instead, I felt like I was living 20 years of his life in real time.

But consider: why do we aspire to the things we do? Do we do it out of a desire to please others? A desire to keep our word?

If you watch Edward Wilson throughout the movie, the only time he becomes animated is when he talks with his college flame, Laura. It's the only time that I recall him truly smiling. Of course, this is long after he marries the wrong woman. But she was his heart. And she talks of the life that she wanted for them - that he could be a poet and teach in a small university town. You can see the flicker in his eye at the hint of what that might be like.

At the end of the movie, he finally reads a suicide note from his father. It tells him to pursue the life of his dreams and to be happy. But now in his late 40's or in his 50's, Edward is in the exact opposite place.

He's pleasing no one. Not himself. Not his long-dead father. Not his wife. Not his true love. Not his child.

So what's the point?

What are your dreams? What do you see yourself doing? Are you in the right place? If not, how do you get there?

Start moving yourself in that direction - today. Fearlessly.

If you've ever read the book, Orbiting the Giant Hairball, there's a great two-page drawing in the middle of it that depicts this very phenomenon of the grinding of one's soul. I'll try to scan it later, but on the left is this free-spirited joyous being and he slowly migrates into a cardboard corporateman, absent of all life. I wrote about it earlier here, about 500 posts ago.

I no longer paint at lunch at work. I worry about what others think. I no longer ride my bike to work. Good gravy - I believe that I've lost sight of who I am. I have some work to do.

I'm glad that I watched the movie.

 

3 Comments
by Brett Rogers, 4/24/2007 10:54:28 AM
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Ah, Painting... Part II

 

The other day, I sketched out a man's face in blue and orange.

The next day, I felt an incredible urge to return to it. So today, I did just that.

I'll be getting started on more work soon.

 

1 Comment
by Brett Rogers, 4/21/2007 4:06:23 PM
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Beat Thing

 

A little something I dreamt up while dusting the living room.





 

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by Brett Rogers, 4/21/2007 12:47:00 PM
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Images from Day #15,508

 

 

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by Brett Rogers, 4/21/2007 11:21:09 AM
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Sketches - April 20

 

Just messin'...

 

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by Brett Rogers, 4/20/2007 7:51:08 PM
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