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Then I do the work of getting it down on paper, because I'm the designated typist, and I'm also the person whose job it is to hold the lantern while the kid does the digging. What is the kid digging for? The stuff. Details and clues and images, invention, fresh ideas, an intuitive understanding of people. I tell you, the holder of the lantern doesn't even know what the kid is digging for half the time - but she knows gold when she sees it.
-- Anne Lamott


 

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Painting?

 

Back in July, I told myself I could not pick up a brush until I finished this project, and now that I am just about there, every part of me craves the relief of switching gears and using my somewhat-neglected right-brain.

In mentally preparing myself for that wonderful wonderful day, I've been thinking...

Do I like this approach?

Or do I like this approach?

The first is an early table-setting sketch. Took about 15 minutes.

The second is my final pass after a few days of very detailed work.

I like both, but in truth, I kind of prefer the rougher version. It has more emotion for me.

So in getting back into it, I think I might just do a bunch of rough pieces to reorient myself to that way of seeing (because painting is not so much about what I do with my hands as what I do with my eyes).

Part of me keeps asking from the back seat, "Are we there yet??"

 


Tags: my life
by Brett Rogers, 12/9/2007 4:27:22 PM
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